Burke categorizes something that is sublime to fill the person with feelings of “awe, astonishment, and evident terror,” furthermore alluding to nature being the “most powerful sublime” (Court). Philosopher Edmund Burke, in 1757, described the power of sublime when differentiating between characteristics of beauty. This visual represents the pop-culture representation of Frankenstein’s monsterįrankenstein’s initial desire to defy nature is evident by his disrespect towards the sublime of nature. Throughout Mary Shelley’s Frankenstein, Frankenstein disrespects the processes of nature by attempting to mechanically create life and his actions ultimately lead to his end in disaster.Ībove is a photograph of Boris Karloff from The Bride of Frankenstein. Unable to accept the ramifications for his crimes against nature, conflict follows Frankenstein with his destiny predetermined. Desiring to become like the early philosophers, Victor attempts to create life, driving him to madness. In Mary Shelley’s Frankenstein, protagonist Victor Frankenstein commits the ultimate temerity against nature, by successfully creating life. Yet, in man versus nature, the severity of defiance against nature determines the outcome. One historic example of this type of novel is Herman Melville’s Moby Dick, where men try to kill a massive sperm whale, and inescapably lose everything. Significantly, in several of the stories, nature overpowers man and man pays a price. The previous quote defines the conflict of man versus nature, which has been represented in literature for centuries. It will give you what you’re fighting for, only after paying her price” (Napoleon Hill). “Nature cannot be deceived or cheated on.
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